THE LEAD TIME ON EDITIONS PRINTS IS TYPICALLY 4 WEEKS
In this image I examine the beauty of black hair and how it’s gone under significant changes in order to arrive to this point where we celebrate it in all its glory. The afro combs are also significant in how the heritage of our hair has been shaped. I also incorporate coins as means of unpicking an in-visible system which creates social structures of inequities. I create a backdrop which incorporates the Zimbabwean bird motif together with old Zimbabwean coins with the late queen Elizabeth’s face on them, as a way of commenting on misfortunes of life which resulted in a subversion of power dynamics. I also implore the idea of hair as a currency which has shaped our contemporary realities.
This series unfolds as a two-part story which I created through the lens of the past and the present. For some, Zimbabwe is a distant paradise, both mystical and wonderful whilst for others the concept of a lived reality operates as an absolute truth which is determined by the material conditions of the world in which we live. We too are longing for a paradise, where social equality exists defined by harmony, peace, and hope. It is a wonderful thought, isn’t it, that such a place would exist! Stemming from the desire to recognise the lived truth of others, my work explores several intertwined imaginaries documented through domestic, metropolitan and non-linear spaces. I create suggestive worlds by placing clues about their lives and their sometimes invented characters into the compositions. Through these fantastical portraits I attempt to create a new literature which borrows from the artistic thought and practice of both romanticism and realism. In the same way Romanticism took a metaphorical approach to art while Realism took a literal one, I portray everyday people from contemporary life in Zimbabwe , as well as larger than life heroes who exist in history.
Furthermore, I express the aspect of realism through the social message in which history is mediated and Romanticism in the way colour is embellished to announce presence. My use of objects as centrepieces, cultural motifs and the ubiquitous use of African print are all knitted together and used as an embroidered vehicle for connection. Showing that, In a world filled with limited facts and plenty of misinformation it is important to acknowledge that the things we own—the clothes we wear, the objects on our tables, the furniture in our homes— tell stories about who we are, what we value, and where we come from.
We offer free shipping on orders over £100. If your order total is less than this, shipping is calculated at checkout.
Our studio normally dispatches your order within 4 Weeks for editions prints. During holiday seasons and other peaks affecting our studio, it may take us another day or so. International orders may take a little longer.
Ivhu Art @ Home
Thank you so much for connecting with us on this journey. Ivhu began after really struggling to find positive and contemporary artwork of black culture for our family home. There are so many outlets for artists out there, but many fail in having a diverse and representative collection of pieces that reflect the full beauty of the human lifecycle.
We didn't want some out of touch painting of our 'culture', but wanted art that spoke to our here and now and we are so excited to share our journey with you.
When thinking about interior design for your living space, I'm really challenging you to choose Art that truly resonates with you.
Terrence - Founder
The below framed dimensions include the Frame, and due to regional shipping restrictions there may be slight variations between the below sizes as these are approximations.
|Size||UK Framed||US/CA Framed||Print Only UK||Print Only US/CA|
|S||30cm x 37.5cm||11.8 x 14.7 inch||23.6 x 31.1cm||9.29 x 12.2 inch|
|M||50cm x 62.5cm||19.7 x 24.6 inch||
37.6 x 50.1cm
|14.8 x 19.7 inch|
|L||70cm x 87.5cm||27.5 x 34.4 inch||
55.6 x 73.1cm
|21.8 x 28.7 inch|
|XL||100cm x 125cm||36 x 44.75 inch||
85.6 x 110.6cm
|30 x 38.75 inch|